Can it be sacrilege to declare that the best-looking film established in Paris was shot by several Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French money – along with the neoclassical edifices of Mussolini’s Rome – in great blues and shards of light as sharp given that https://www.vaingloryfire.com/profile/phimhentais/bio?profilepage